I had to wait until there were a few people at the entrance to Monet’s house in Giverny before I could take this picture. Generally I take great care there isn’t anybody on the snapshot. It was fun doing exactly the contrary, for a change.
I wanted to please Virginia, who paints lovely pictures of Giverny. While she was in Monet’s gardens, Virginia photographied his house, but once back at home she realised she missed the scale for characters.
Actually, the picture looks more lively with people on it. Why must we always wait and take empty pictures? To give the illusion we were alone on the site? Or just to avoid photographying people we have not been introduced to?
Monet’s house is not that easy to paint, because of the perspective. To see it you must stand on its side, for two yews hide the house when you face it. It was Monet’s idea to mask the building, as it is extremely long: about 40 meters, 130 feet! Strangely enough the house is very narrow, only 5 meters.
