by Ariane ~ April 4, 2014
Blanche Hoschedé-Monet was at the same time Monet’s step-daughter, because he married her mother, and his daughter in law, because she married his son. She inhabited Monet’s house at Giverny until she died in 1966, taking loving care of the estate.
Her bedroom has been restored this winter and is now opened to the public. The furniture -bed, commode, bed table- had been left in the house. What was missing was carefully hunted in antique shops. The result is very charming, lively and poetic. On the walls hang several authentic paintings, including a Grainstack, snow effect (circa 1890) by Blanche, who was Monet’s pupil, and a Mother and Child (circa 1906) by Manzana-Pissarro.
by Ariane ~ February 14, 2014
Mary Cassatt – Mother Holding a Child (around 1890)
Oil on canvas, 81 × 65,5 cm, Bilbao, Museo de Bellas Artes de Bilbao
© Museo de Bellas Artes de Bilbao
The French museum dedicated to the different branches of impressionism, Musee des Impressionnismes Giverny, is housed in a building that was once the Museum of American Art Giverny.
This year, american impressionist paintings will be back in the galleries of the MDIG thanks to a new exhibit entitled “American Impressionism: A New Vision”.
From 28 March till 29 June 2014, 80 works by Cassatt, Robinson, Chase, Whistler, Sargent, Hassam or Tarbell will show how American painters adopted and adapted the new impressionist style by the end of the 19th century.
In a single word: it’s beautiful. I’m sure you will enjoy it.
by Ariane ~ January 15, 2014
Late May or early June, Monet’s garden turns mostly purple. On the pond banks, mauve ladies’ rocket matching exactly the big rhododendrum on the other side of the path combines with mauve or blue lupines, pink sweet Williams, white fox gloves and blue sages. The mauve turns progressively into pink to fit with the beautiful tree of roses. This scene doesn’t last long, but it is of great effect. It follows the bulbs period and will be followed by summer flowers. (click for more details)
by Ariane ~ January 6, 2014
Happy new year, and best wishes for 2014! Here is the stunning ‘black’ garden of the Musee des Impressionnismes Giverny (Museum of Impressionisms).
The garden was created twenty years ago, this is why it indulges in this modern fashion for so called black flowers. Aren’t they amazing with their dark foliage or petals?
Of course black doesn’t exist for flowers, it’s always very dark red or purple, anyway unexpected hues for flowers.
Planting them together like here, and not just as accents, produces a very special effect, surprising and maybe a little bit disturbing, doesn’t it? I like the black garden, but I love the white one next to it!
The American impressionists will be back in 2014 in the gallery of the MDIG, that used to be the Museum of American Art Giverny, founded by Daniel Terra. The first exhibit will open on March 28, 2014 and is entitled “Impressionism and the Americans”. Featuring works by Cassatt, Whistler and Sargent, among many others, it will last until June 29, 2014. And for sure the impressionist painters used all the colors of the palette, not only black and white.
This exhibition will be followed by a second one focusing on Belgian artists, “Brussels, an Impressionist Capital” from July 11, 2014 to November 2, 2014.
by Ariane ~ December 31, 2013
Here is a not so famous painting by Monet that was on display in a recent exhibit at the Musee de Louviers, not far from Giverny. This oil on canvas is privately owned.
The title is “Blanche Painting with her Sister Suzanne on the Water Side”. It was painted in 1887 by Claude Monet.
Blanche was the daughter of Monet’s second wife Alice. She became his daughter-in-law by marrying Jean Monet, the painter’s eldest son.
Blanche was a talented artist. She often painted the same landscapes as Monet, in her own impressionist style, sometimes very similar to the style of the master.
Her sister Suzanne appears on numerous canvases, because she was a pretty young woman. Monet had her posing for his two attempts of a figure in open-air, aka as the girl with a parasol. (Musee d’Orsay, Paris)
by Ariane ~ December 9, 2013
The golden bamboos planted by Monet on the island of his water garden at Giverny reflect into the flowing water of the rivulet le Ru, producing ever changing broken lines.
Under the surface, the bright green of algaes.
A magnet for the eye…
(Click on the picture to enlarge.)
by Ariane ~ November 17, 2013
The common name of this beautiful flower that grows in Monet’s water garden is a bit strange: it’s called toad lily.
The appearance of this perennial is more orchid like.
It requires a moist soil, as do toads, part shade under trees, and in these conditions it is very hardy.
The tricyrtis appears late in season.
This picture was taken in October.
by Ariane ~ November 9, 2013
On the 30th of October, the perfectly serene pool in Claude Monet’s garden offers a mirror view of the world around.
Blue sky and turning trees create a bold contrast between the still floating water lily pads.
(Click on the picture to enlarge).
by Ariane ~ September 18, 2013
An unusual light on Monet’s water lily pond, while big dark clouds are loaming ahead… Just time enough to walk around the pound, and the drops will start to fall on the surface of the pool in hundreds of little circles.
by Ariane ~ September 6, 2013
According to Claude Monet’s step son Jean-Pierre Hoschedé, the painter loved blue flowers.
This beautiful solanum, a plant belonging to the family of tomatoes and potatoes, is covered with simple little blue flowers.
It matches the colors of the kitchen window with its blue squared curtains, a very typical french pattern called vichy fabric.
In late Summer, plants are at the top of their heigth. With a bit of imagination, the flowers of the Giverny garden look like big waves splashing against the walls of the house.
by Ariane ~ August 29, 2013
The large window of Monet’s first studio at Giverny looks like an eye scrutinizing the flowers of the garden in order to paint them.
It opens onto the little rose garden, a corner that is rarely explored by the visitors of Giverny.
See two posts below the view from the inside, giving the illusion of a painting.
by Ariane ~ July 23, 2013
Water lily pads floating on Claude Monet’s pond at Giverny have a strange ability of changing their color. When they first pop they are purple, like the ones upside down on the pic. The sunlight turns them green. Claude Monet, who was a good observer of his garden, had noted these two colors. On some of his Nymphea paintings he made them green with a purple circle around.
by Ariane ~ June 23, 2013
With the start of the Summer, flowers become a bit mad at Giverny.
They grow crazily in the garden of Claude Monet, enjoying the combination of mild weather and moisture typical for the Seine valley in this time of year.
Poppies, peonies, roses harmonize with eremurus, yellow sweet rocket or Canterbury bells in a charming way.
Wherever you look, you see waves and waves of flowers. No line interrupts them.
The secret of Claude Monet was to rise his flower beds slightly, in order to hide the path behind.
by Ariane ~ May 20, 2013
The first studio occupied by Claude Monet is part of his main house at Giverny. In this room, Monet stored the paintings he didn’t want to sell, to keep a record of the steps of his career.
Nowadays, the furniture is still authentic, as well as the objects decorating the room, but the paintings are all copies. Monet lined them on the walls on several rows up to the ceiling.
This studio was restored recently, it looks as if Monet had just left it.
by Ariane ~ April 20, 2013
Monet’s property at Giverny is surrounded by high stone walls. This is nothing special in Normandy, as many estates and gardens are a so called ‘norman enclosure’, in French ‘Clos normand’. The walls are a good protection against rabbits and deers, and excellent for privacy.
Here is a pic of Monet’s second studio seen from the main street of Giverny, rue Claude Monet. This building is not open to the public. It houses offices and reception rooms for the administration of Fondation Claude Monet.
At Monet’s time, it was used as a studio where Monet stored the paintings for sale, and completed them if necessary. Monet designed the studio to receive northern light.
The big green gate was the gate to the garage sheltering his car, a Panhard Levassor that he bought in 1900.
On the far left, Claude Monet’s main house appears in the distance.