Is it worth visiting Monet’s gardens in October? Yes it is!
While the other gardens open to the public have closed or are already preparing their winter borders, at Giverny the fall flowers are at their best.
They have been patiently selected for their longevity to last till the end.
If frost waits for a few more weeks as it is suppose to do, the show will go on until closing day (November 1st).
September is a magic time at Giverny. In Monet’s gardens, all the summer flowers had ample time to settle and offer generously their fascinating beauty. It is an endless surprise to discover the latest varieties of giant dahlias, picked out from the thousands of existing cultivars. They combine in the pink border above with cleomes, sages, zinnias, roses and ageratums, displaying all the different tones from pale pink to deep purple.
In yellow beds, it is time for huge sunflowers of all kinds, coreopsis and black eyed Susan, anthemis, and for some contrast the strange shapes of amaranthus caudatus, whose common name I’m not so fond of: ‘Love lies bleeding’.
This sad name is certainly not in tune with the atmosphere of flowery feast that reigns in the Giverny garden. The alleys are full of lovers that walk hand in hand with a happy smile on their faces. The borders are so high in this season that they provide intimacy. It is a wonderful experience to feel merged in flowers.
At Giverny in Rue Claude Monet, one of the mail boxes to send letters and postcards is located amid flowers.
In October, the helianthus are big enough to reach the height of the mail box.
Their yellow hues match the official color of La Poste boxes.
Having to make your way through the flowers to post your mail makes paying the bills just a little more fun.
Fall atmosphere in Monet’s gardens at Giverny.
The picture was taken from the steps of the dock next to the water lily pond.
On the left, the green leaves of pontederias.
The red shrub on the opposite bank is a Japanese maple.
In the distance appears the pink house with green shutters, Monet’s home for 43 years.
On the right, through the branches, the third studio where Monet painted his biggest water lilies panels.
Do you want to have a look at the Monet Garden while it is closed for the winter?
Here is the Japanese bridge as it was this morning.
Giverny is now closed for five months.
The village will awake again next spring.
The first day for visiting the gardens will be Saturday 28 March, 2015.
Yesterday I guided very charming hawaian guests at Giverny. It was nice to look at Monet’s gardens through their eye from Hawai. They reminded me that fall doesn’t exist on their island. It is summer all year round. Discovering the special spirit of this season sounded very exciting for them. Autumn has started to work its magic on the foliage. The three sweet gum trees reflect their reds and oranges into the water lily pond. For us, who know what will come next, this dramatic show of the saison, despite of its beauty, has a special flavour of nostalgia and melancholia intertwined.
The common name of this beautiful flower that grows in Monet’s water garden is a bit strange: it’s called toad lily.
The appearance of this perennial is more orchid like.
It requires a moist soil, as do toads, part shade under trees, and in these conditions it is very hardy.
The tricyrtis appears late in season.
This picture was taken in October.
On the 30th of October, the perfectly serene pool in Claude Monet’s garden offers a mirror view of the world around.
Blue sky and turning trees create a bold contrast between the still floating water lily pads.
(Click on the picture to enlarge).
In front of his second studio, a pink house he built in 1899 on the corner of his estate, Monet designed a colorful area of parallel flower beds.
In October, the tall flowers of late season mix their pinks, blues, yellows, oranges and reds and their different textures ans shapes, creating a living painting that moves in the breeze.
Sages, dahlias, asters, cosmos, roses, black eyed Susan, tithonias are all enchanting September and October.
This is how Monet’s pond looks on November 1st, minutes before closing for the winter.
Soft or spectacular, according to sunshine.
The misty days of October are back! On Monet’s pond at Giverny, they create a soft atmosphere enhancing the different textures of the foliages. Among all these greens, the sumac of Virginia flames. Asters fill in the flower beds in big bouquets. The boat awaits the gardener. He will soon arrive to maintain the pond.
Pink or red huge dahlias, tall yellow helianthus, enormous purple asters, supersized yellow or brown sunflowers have now reached their final height.
In the main alley, nasturtiums flow like a river on the sloping ground, pretending to fill the pond of the water garden.
Their petals shimmer in the sunshine, just like paint on an impressionist canvas.
The foliage change their greens or dark reds to bright tones. The weeping willows get gold, the poplars and the wisterias yellow, the needles of the taxodium rost, the liquidambars turn red and orange…
The huge copper beech is not copper anymore, but a light brown, and all the leaves of the irises, thalias, hostas and other water side plants say goodbye to the season in a mixture of green, brown and yellow shades.
All these colors reflect into the pond in a stunning way. Each hour is different, from vaporous foggy mornings to bright sunny afternoons, and brings its own light on to the pond for the enjoyment of the last visitors of the season.
How could one get tired of this beauty?
The picture was taken this year on October 12.
There were still many flowers in full bloom, the gorgeous dahlias, contrasting with delicate asters and cosmos, and the bright yellow helianthus.
They provide a fabulous setting to the pale pink house.
September and the beginning of October are just breathtaking in Monet’s heaven at Giverny.
The beauty of early October at Giverny, when Monet’s flower garden radiates with bright colors, is breathtaking.
It is certainly one of the best times to see the painter’s garden, more impressionist than ever.
Huge bouquets of sunflowers, asters, dahlias, cosmos mix their colors to create an overwhelming effect.
The metallic arches and tripods vanish in this sea of flowers, as well as visitors.