Monet, who was an early bird, loved to get up before sunrise, in order not to miss a second of the dramatic show of light and water.
Monet, who was an early bird, loved to get up before sunrise, in order not to miss a second of the dramatic show of light and water.
Cold Winter days finish in a symphony of very tender colors, soft pinks and blues, whereas milder days generally offer dramatic sunsets with flaming reds on low clouds.
As it was last week, it was just incredible to be there, in the absolutely empty garden, walking around the frozen water lily pond waiting for the sky to change.
During the Winter parenthesis, when it is closed for five months, Giverny stops being iconic. Monet’s pool is no more the motiv for world wide known canvases. It becomes a patch of nature again, a very small place indeed lost in the frozen landscape. The realm of wild life.
Fall is a talented artist who paints beautiful works on Monet’s water lily pond at Giverny.
Late October is the best time to admire the warm reflection of foliage on the surface so often painted by the master of Impressionism.
Liquidambars, weeping willows, poplars, taxodium, beech, chestnut trees all offer their brightest tones duplicated by the mirror of the lake.
Then the breeze comes like a magic stick to blur it all and turn the perfect images into nature’s brushstrokes.
And the little green bridge is there to frame it all.
The dock offers good views on the small bridge over Monet’s pond at Giverny.
There are six bridges in Monet’s water garden, the biggest being the one Monet painted so often. But the smaller bridge at the other end of the pond is very charming also.
This side of the garden is bathed by the sun in late afternoon. The warm light generates beautiful reflections on the surface.
One would like to do like Monet, just sit down and gaze at the water for hours, scrutinising the changing colors of nature.
A big copper beech shades Claude Monet’s water garden at Giverny.
It is a very old tree, dating back to Monet’s time. It must be over 100 years old, a survivor from the original garden Monet planted.
In October, Autumn has come and the beech is not copper anymore but brown, as you can see from its reflection in the waterlily pond. The rest of the season this senior among the trees in the garden has strange powers.
There is a magic in it: when you stand under its branches and you look up, its leaves are perfectly green. But seen from a distance they become dark red.
Certainly one could find a scientific explanation for this magic, but please! don’t tell me. I prefer not to know.
The wisteria is at its peak over the Japanese Bridge in Claude Monet’s garden.
Its flowers look like long grapes. They are a soft tone of lavender and produce a delicious scent which recalls to the scent of jasmine.
It is an incredible feeling to stand on the bridge and be surrounded by the blooming wisteria all around you.
The beautiful effect doesn’t last very long, but Monet had thought of a special jocker. A second later wisteria will follow the lavender one when it is over. The second one is a white wisteria.
Spring has come suddenly. It was warm and sunny today, and the sunshine enhanced the bright colors of Monet’s flower garden.
In the water garden the azaleas are in full bloom. On the trees the little leaves look tender and fresh.
April light has a special quality, a sort of sparkling effect that can be noticed on Monet’s footbridge seen into backlight.