Best wishes
from Giverny
for a splendid
year 2012
full of light
and beauty!
Happy New Year!
January 2, 2012
Monet’s Greenhouse
December 21, 2011
Are you curious to have a look inside of Monet’s greenhouse, that is not open to the public?
I was! With the allowance of the gardener, I took this picture last July.
Even in Summer many plants need to be kept inside. Some of them will decorate the house, others will be used to adornate the meeting rooms when VIPs come to Giverny, others are waiting for being planted, others are mother plants…
Monet was such a keen gardener that he built a greenhouse on the location of this one, on the left side of the flower garden. It was heated, and the painter cultivated orchids and exotic ferns. He also grew his seedlings in the greenhouse.
Monet’s House in October
December 2, 2011
Flashing reds and greens in the soft light of October, this is what Monet’s garden offers in October in the area in front of the painter’s house.
The “Monet green” spreads on benches, shutters, stairs… creating a strong contrast with the formal geranium beds and the virginia creeper on the façade.
Claude Monet’s Third Studio
November 10, 2011
Monet was 76 when he decided he needed a new studio. This one is actually the third one he built on the premises.
After having turned a former barn with western light into his first studio, errected the second one with a big window on the northern facade, Monet decided he wanted the light to fall from the sky, and not from any other direction.
This is why the third studio has huge skylights. The entire roof is made out of glass.
Monet’s Blue Kitchen
January 27, 2011
Very striking in Claude Monet’s kitchen at Giverny are the blue tiles that cover all the walls.
If you are inspired by Monet’s kitchen, here is a tip to bring Giverny into your home: traditionally manufactured tiles copying Monet’s tiles are now available. They are made in France and they look great. If you would like more information about the tiles, just leave a comment on this post, I will not publish it.
Fusion and Profusion
November 8, 2010
They were underplanted by shrubs that offered their interesting foliages, flowers, berries, and scents: roses, tree peonies, azaleas, rhododendrons, viburnums, Japanese maples, ferns…
These shrubs were underplanted by flowers, for example flag irises, to provide a touch of vibrant color.
Thus, Monet created a little world that resembled a clearance in the woods.
He liked to feel blended with nature. Staring at the reflections of the sky into the pond, he could loose any notion of himself and merge into the waterscape.
Nympheas
February 22, 2010
The biggest one faces visitors at the end of a perspective through several large rooms. It deserves this honor. This enormous canvas of Monet’s late period, painted during World War One, is certainly one of the most splendid masterpieces of the museum.
Monet focuses on two patches of water lilies floating on the pond in his garden at Giverny. Unlike many of the paintings in this series, this canvas is very bright. Vibrant reds and pinks pop out the flowers, contrasting with the soft greens of the lily pads and the pale blue of the reflected sky. Curiously enough, a cotton like cloud occupies the upper corner of the painting, when it should be reflected at the lower part of the canvas. It is one of Monet’s favorite game to mix all the landmarks to create confusion in the eyes of the viewer.
Monet’s Bedroom
September 19, 2009
A detail strikes the visitors who enter Monet’s bedroom at Giverny: the bed is ridiculously small.
Claude Monet wasn’t very tall, and he didn’t share his bed with his wife. They had separate bedrooms. Not because they didn’t care, but rich families copied the aristocracy and had separate ‘appartements’, though they were connected.
Monet could get up very early without waking his wife. He loved to paint before sunrise, when the river is still covered with mist.
The bed and the armoire, which were not very expensive furniture, were painted according to Monet’s taste.
Monet had gorgeous views over his garden from his bedroom’s three windows. The painter designed his bedroom, he had it built just over the first studio. He wanted a lot of light in it.
The bedroom was the place where he hung his collection of impressionist paintings by his friends, an incredible collection of 35 canvases including 12 paintings by Cézanne, many Renoirs, Sysleys, Morisots, Manets and so on.
The desk is a beautiful antique from the 18th century.
Success for the Monet Exhibition at Giverny
August 13, 2009
Over 100 000 visitors will have seen the beautiful exhibition of 28 paintings by Monet at the Musee des Impressionnismes Giverny.
The exhibition started on May 1st ends on Saturday 15 August.
It will have met all the expectations by attracting crowds of Monet lovers in the village where the canvases, mostly featuring Nympheas, had been created.
The next exhibition opening on 23 August is dedicated to the oversized and colorful paintings of American artist Joan Mitchell. Joan Mitchell, a master of expressionism, was inspired by Monet’s Nympheas. She lived for years in Vetheuil, her studio neighboring Monet’s house on the river side.
For the museum, it will be sort of a flash-back to its origins. Before becoming the Musee des Impressionnismes Giverny, it used to be the Musee d’Art Americain Giverny.
Monet’s Dining Room
August 2, 2009
I have just been given the right to take pictures inside of Monet’s House. I am thrilled being able to comment on this very special home I love!
Taking photographs in the museum is forbidden for several reasons, especially because of the very fragile japanese woodblocks that hang on the walls. Monet didn’t want his own work to decorate his home: it was work! He preferred something more exotic and fun. He would hang them everywhere except in his studio, in the kitchen and in his bedroom.
I don’t know what strikes visitors most when they enter the most beautiful room of the house, the famous dining room. The Japanese prints cover the walls, almost masking them, their mainly blue color matching the yellow furniture, walls and moldings.
It is strangely modern, especially when compared with the very heavy and dark fashion in matter of decoration in Victorian times. Bright, and stunning. Everybody says waow! when stepping inside of this yellow dining room, and most people like it. But for some visitors, it is too yellow.
Vantage Point
July 10, 2009
The dock offers good views on the small bridge over Monet’s pond at Giverny.
There are six bridges in Monet’s water garden, the biggest being the one Monet painted so often. But the smaller bridge at the other end of the pond is very charming also.
This side of the garden is bathed by the sun in late afternoon. The warm light generates beautiful reflections on the surface.
One would like to do like Monet, just sit down and gaze at the water for hours, scrutinising the changing colors of nature.
April Light
April 8, 2009
This is how Monet’s garden looked on April 1st, the very first morning it was open this year.
The morning sun enhances the pure lines of the Japanese bridge, whereas the air is full of scent from spring flowers like daffodils, pansies and hyacinths.
The light of this early hour has pink and blue notes and a very special vaporous quality.
Everything looks renewed and fresh, ready for a new start.
Monet, Bonnard and many more
March 28, 2009
A beautiful exhibition has just opened at Vernon’s museum. A must see if you come to Giverny!
It is entitled ”From Corot to Bonnard, masterpieces from the museums of Douai and Vernon” and features an impressive list of reknown artists such as Monet, Pissarro, Vuillard, Corot, Courbet, Bonnard and many more.
The visit leads you from the early stage of pre-impressionism to impressionism in its glory, followed by néo-impressionist works. a feast for the eyes!
The exhibition is to be seen at Vernon’s museum for three months until June 28.
Monet’s Family
March 6, 2009
Monet and Manet were good friends, as apparent by Edouard Manet’s painting of Claude Monet and his family in their garden at Argenteuil.
The woman in white is Camille, who often posed for Monet and his fellow painters, especially Manet and Renoir.
The relaxed boy leaning against her is Jean, their eldest son. A second one, Michel, was born shortly before Camille died.
Both sons married, but neither of them had children. Monet had no grand-children. However, he lived surrounded by young people because his second wife Alice brought six children in the wedding. And she had many decendents, today about one hundred!
Monet in his studio
January 28, 2009
This is a view of Claude Monet standing in his first studio amidst his favorite canvases. The light of the afternoon is almost palpable.
This room located in his main house at Giverny was turned into his sitting-room after 1890.
When Monet became successful, he built a new house in the corner of his garden, where he moved his studio. He had now a well lit large room to work in and to store his paintings. The former studio became a place where he used to have a liquor after lunch, where he would sit to read a gardening book or a novel by Maupassant. Monet also used to write many letters.
The paintings for sale where displayed in the second studio whereas he kept the ones he cherished too much to sell them in the first studio.
The picture was made in springtime according to the tulips behind Monet. The photo reveals how much the painter loved flowers. There were at least six vases in his studio on this day!