Over 100 000 visitors will have seen the beautiful exhibition of 28 paintings by Monet at the Musee des Impressionnismes Giverny.
The exhibition started on May 1st ends on Saturday 15 August.
It will have met all the expectations by attracting crowds of Monet lovers in the village where the canvases, mostly featuring Nympheas, had been created.
The next exhibition opening on 23 August is dedicated to the oversized and colorful paintings of American artist Joan Mitchell. Joan Mitchell, a master of expressionism, was inspired by Monet’s Nympheas. She lived for years in Vetheuil, her studio neighboring Monet’s house on the river side.
For the museum, it will be sort of a flash-back to its origins. Before becoming the Musee des Impressionnismes Giverny, it used to be the Musee d’Art Americain Giverny.
I have just been given the right to take pictures inside of Monet’s House. I am thrilled being able to comment on this very special home I love!
Taking photographs in the museum is forbidden for several reasons, especially because of the very fragile japanese woodblocks that hang on the walls. Monet didn’t want his own work to decorate his home: it was work! He preferred something more exotic and fun. He would hang them everywhere except in his studio, in the kitchen and in his bedroom.
I don’t know what strikes visitors most when they enter the most beautiful room of the house, the famous dining room. The Japanese prints cover the walls, almost masking them, their mainly blue color matching the yellow furniture, walls and moldings.
It is strangely modern, especially when compared with the very heavy and dark fashion in matter of decoration in Victorian times. Bright, and stunning. Everybody says waow! when stepping inside of this yellow dining room, and most people like it. But for some visitors, it is too yellow.