Entries from February 2012

Boating Gardening

February 23, 2012

This is what is needed at Giverny to keep Monet’s pond as clean as a mirror:

– a flat boat copied from Monet’s, very common in his times,

– a big garbage can,

– a carp net,

– thick gloves to protect your hands.

Equipped with these very simple tools, the gardener is ready for the constant battle he has to fight.

The battle field is the surface, and the invaders are of different kinds. The main body of the army is made out of dried leaves and seeds. Drown bugs must go, too.

Alone against the ennemy that is continuously renewed, the gardener must be a super heroe. He needs a good balance, a strong back and strong arms to fish the dirt and take it out, leaf after leaf. Good spirits are essential too. Patience and perseverance.

 No wonder the algaes and leaves fishing gardener is the star of the pond, photographed millions of times by the visitors of Giverny.

 

Snowy Giverny

February 8, 2012

It is hard to imagine that in seven weeks, the gardens will be full of flowers again. For the moment, it is icy and snowy at Giverny.

Yesterday morning, I visited the closed and cold Monet garden. It was probably the most beautiful day of the winter. A few inches of snow covered pond and park, and shined in the sunlight. It looked so still and sleepy… But life is not far away, just hiding in every little hole.

Under the Japanese bridge,  a bird has stamped its very regular footsteps, designing new curves to add to those imagined by Claude Monet.

Just Before Opening

February 5, 2012

March at Giverny is time for the last tasks before the gates open to visitors on April 1st. The last pruning, clipping, mowing, raking… before D-Day. 

While the gardeners take advantage of the empty garden to put their ladders and wheel barrows in the middle of the alleys, the earliest flowers bloom for their own sake. Big bouquets of daffodils shine in the middle of the fresh green lawns.

The first flowers of Spring are mostly yellow. They are paired with blue pansies to obtain this color combination that Monet liked so much, and that looks very attractive.