Entries Categorized as 'Monet’s flower garden'

Summertime

August 20, 2011

giverny-summerSummer is a gorgeous time in the gardens, especially at Giverny. While water lilies are at their best, the flower garden offers an explosion of colors.

Dahlias in every shapes and shades show their heads among the light butterfly like gauras, phlox and lavenders spread their scents, gladiolis bent graciously over the alleys, surrounded by sages and verbenas. The list of blooming flowers is endless.

Instead of carpeting the ground like in spring, summer flowers stand, tall, imposing and delicate at the same time, offering another experience of the garden.

A Carpet of Flowers

August 1, 2011

giverny-pelargoniumThis is one of the most impressive flower beds at Giverny: a vibrant combination of pink and red pelargoniums displayed on oval patterns, just in front of Claude Monet’s house. They look very much like carpets of flowers at the foot of the facade.
Pelargoniums, known until recently as geraniums, are the most popular Summer flowers in France. They were my grand mother’s favorite on her windows. No wonder, they are so resistant, easy to grow, long flowering and colorful!
Pelargoniums are commonly used in pots, it is a nice change to plant them in the garden where their rich tones flame in sunny spots.
In Monet’s gardens, they make their come back every year in May just after the last tulips. According to the mood of the gardener, they are planted either by color – an entirely red border and a fully pink one side by side – or mixed like this year. I prefer the latter option. It looks less formal, and more ‘painted’.
A border of pelargoniums in Monet’s garden? It doesn’t sound very exciting. Actually, it is daring. This red and pink carpet surprises many visitors, astonished to encounter such a low and formal flower bed at last, after so many unusual, overgrown mixed borders.
The explanation is the need of contrast. In late Summer, when huge flowers overwhelm visitors meandering along, it is nice to have a corner where you can breath, see in the distance. After the wood, the clearance.
Contrast, one of Monet’s favorite painting trick.

Standard Roses

June 13, 2011

Standard roses are one of the beauties of Giverny.

As tall as trees, they measure over 2 meters and they offer their pink blossom like enormous bouquets.

Rose trees are generally not strong enough to resist wind, so they are grown on metallic structures that look like umbrellas or mushrooms, according to your imagination. Some people call them weeping roses, that’s really too sad.

In Monet’s flower garden, they tower over big bunches of peonies and large flower beds of pink and red poppies.

Pink Blossom at Giverny

April 15, 2011

In the 19th Century, trees used to be white in Spring. There were white blossoms of cherry trees, white plum trees, white pear trees… Apple trees were slightly tinted with pink when budding, but became white when in bloom. Only southern trees like peach or apricot trees could be pink, however they were rarely to be seen in Normandy.

So we can imagine the novelty of introducing exotic varieties like crab apples, Japanese cherry or plum trees in a little village on the countryside like Giverny. Their pink blossom must have looked unique to Monet, and to his neighbours.

The pink exotic trees are widely spread by now, but in April their short beauty still enchants Spring in Claude Monet’s gardens.

The ‘Tulip Fields’ of Giverny

March 12, 2011

tulip-givernyIf you are planning a visit to Monet’s garden in Giverny, you may wonder what is the best time of year to come. There are many! The scenery, the flower show change with the seasons. One of my favorite time is the tulip’s.
Tulips flower mostly during the second half of April. Their blooming is spectacular, gorgeous, breathtaking. They offer colors, colors, colors, always bright ones, they can have soft and tender or very warm flaming tones. They exist in an infinite variety of forms and aspects. And they provide amazing mass effects.
This border, for instance, was designed by Monet after visiting and painting the tulip fields in Holland. He was impressed by the large colorful stripes of these cultures.
When he came back to Giverny, Monet decided he wanted a very long border in his garden, from top to bottom, planted according to a monochromatic scheme.
This oversized flower bed records to his visual experience in Holland, as far as color and size are concerned. But Monet could not be satisfied with one sort of tulips only. His ‘tulip field’ is a very refined mixed border composed of many different sorts of tulips. They harmonize, their pink is slightly different, producing the subtle variation of tones that one can observe on an impressionist painting. A beautiful example of the way Monet used flowers like brushstrokes.

Holly

January 10, 2011

This tree standing alone next to the greenhouse in Monet’s garden at Giverny is a holly.

Not a wild, ordinary one: it has beautiful golden rimmed leaves. Nonetheless, the holly disappears in the magnificence of flowers during the season, when the garden is in full bloom. Nobody takes any notice of the flowerless tree.

During the winter, on the contrary, when all the flowers are dead or waiting for better times to come, the holly recovers its majesty. This is probably  why its prickly leaves and red berries are very much related to the time of Christmas and New Year.

A Few Flakes at Giverny

December 12, 2010

It snowed for the second time of the season at Giverny last Wednesday, what is rather unusual so early, at the end of Autumn.

But the gardeners are still working in the garden! They plant the bulbs and pansies for next Spring. Thousands of them. And when the weather is really too cold and snowy, they stay inside and maintain the gardening tools.

Do you recognize on the picture the ladies corner, this round shaped little square under the paulownia, where Mrs Monet and her daughters used to sit down in the afternoon? 

 

Summer Light

September 13, 2010

Summer is coming to an end, offering a large display of flowers in Claude Monet’s gardens at Giverny.
The flower beds that looked organised in early season are now full of overgrown plants, sunflowers, dahlias, cosmos…
 Under the clematis, smaller borders catch the morning light dancing on the freshly watered gauras.

The Colors of June

July 4, 2010

In Monet’s garden at Giverny, the month of June is a feast of colors.

In the flower garden turned into a rose garden for a month, weeping roses as big as trees fall from their metallic structure in the shape of a mushroom.  

Their pink harmonizes with the blues and purples of the flowers below. A soft match that will last a few days only, before other eye cathing colors appear somewhere else.

A Taste of Heaven

June 3, 2010

Monet’s garden at Giverny is so beautiful at the turn of May and June that it has a taste of Paradise.

 In this season, spectacular flowers like irises, paeonies, wallflowers and roses bloom all at the same time.

The small walks of the garden disappear, leaving the illusion of a divine meadow adornated by the most exquisite flowers.

Not to speak about the delicate scent floating in the air…

Paulownia

May 20, 2010

The beautiful lavender blossom of the paulownia in Monet’s flower garden at Giverny harmonizes with the orange azaleas of the water garden, on the other side of the road.

The paulownia blooms exactly at the same time than the lavender wisterias gracing Monet’s Japanese footbridge.

Is it intended or not? What is a coincidence, and what is due to the choices of a clever gardener?

In Monet’s garden, I believe most of the meetings between plants aren’t accidental. Monet, as well as the present day head gardener, was very good at organising dates among the flowers.

Whimsical Life

April 21, 2010

It has been sunny and dry lately at Giverny. So, when the gardeners start watering in Monet’s gardens, it sounds like a relief not only for flowers.

 All sorts of tiny little creatures start moving again, as long as the leaves are wet enough to slide on them.

I admired this cute little pink snail and its incredible sense of balance on the edge of a tulip leaf.

Cute, but certainly greedy too! Isn’t it a shame to feed oneself on Monet’s flowers?

Springtime

April 16, 2010

Spring at Giverny is like fireworks renewed every two weeks.

Daffodils and hyacinths burst out first, followed by tulips and alliums.

Bright colorful bulbs are everywhere, in the middle of the lawns, in squares, in rows, squattered in flowerbeds…

The gardens of Claude Monet opened two weeks ago, on April 1st. During the winter, benches and fences have been freshly repainted in green, and the spring garden looks repainted too, with the fresh greens of  leaves and of grass.

Japanese cherries and crab apple offer their blossoms to the breeze, creating delicate flakes of pink snow.

The air is full of delicious scents and birds songs, and the sun is higher every day. 

Hidden Rose Garden

March 4, 2010

Few visitors explore this corner of Monet’s gardens at Giverny. It is hidden between his home and a row of linden trees. The pathway leads to nowhere: it used to be the way to Monet’s second studio, but the latter is not open to the public.

Monet had a small rose garden in this very protected area. A big  wall shelters them from northern wind. Roses don’t get much sunshine either, but apparently  they don’t mind. Many plants don’t dislike shadowed exposure as much as they dislike big changes in temperature.

The roses planted in this pocket rose garden are at their peak at the turn of May and June. The picture was taken on June 4. If you visit Giverny at another season, you might want to look for this little corner not for the roses, but for the rhododendrons, the dramatic Philadelphus, or just for the shadowed bench offering views on Monet’s first studio.

 

 

Needle Works

December 15, 2009

When the weather gets cold and evenings dark, it is nice to grasp one’s needles again. Do you like knitting? Alice, Monet’s second wife, loved crocheting. The word seems to come from the french, a crochet being a little hook.

Needle works were considered an elegant pastime in the 19th century. In the middle class, the so called bourgeoisie, and in the aristocracy, ladies and young demoiselles were not supposed to work. But they were supposed to develop their talents at sorted hobbies, watercolor painting, singing, playing the piano… A good command of needle works was also extremely important to be considered an accomplished woman. This meant you would be able to cope with a household. And idleness is so dangerous, isn’t it ?

Alice Monet had four daughters. There was no season for embroidering or sewing for them. When it was cold they sat in the salon, next to the fire place. When it was warm, they preferred the open air and spent the afternoon on the benches of this place under the big tree, on the corner of the Clos Normand.

This place is still called the Ladies Circle.