Monet’s Chickens

by Ariane ~ November 13, 2010

A few steps away from his home at Giverny, Claude Monet had a chicken yard full of hens, and Fondation Claude Monet still keeps a few chickens in this corner of the garden.

Just like Monet, they don’t choose every year the same breed. In 2010, visitors enjoyed looking at the funny Padua chickens, absolutely stylish with their fluffy feathers on the head.

Monet loved to have fresh eggs at hand, and the family must have eaten many every day, according to the storage available: in the pantry of Monet’s house, two boxes could contain 116 eggs!

But hens were not a sign of wealth for a family belonging to the middle upper class, this is why they were hidden in a corner of the garden under a big fig tree. However, their presence was revealed by crowing of the roaster.

Turkeys, on the contrary, were considered decorative fowl and were proudly shown in the turkey yard next to the kitchen.

Nowadays, the turkey yard displays turkeys and chickens together. The roasters of both yards like to have sort of a dialog, exchanging their cock-a-doodle-do. The big roaster in the turkey yard has a deep voice, the Padua roaster in the chicken yard a high pitched one, and when they talk together, they are absolutely irresistible.

I kindly dedicate this post to Cynthia Brian, the “Chicken Lady”, co-author of “Chicken Soup for the Gardener Soul”.

Fusion and Profusion

by Ariane ~ November 8, 2010

In his water garden at Giverny, Claude Monet planted tall trees like weeping willows, ash trees, chestnut trees, poplars, copper beeches…

They were underplanted by shrubs that offered their interesting foliages, flowers, berries, and scents: roses, tree peonies, azaleas, rhododendrons, viburnums, Japanese maples, ferns…

These shrubs were underplanted by flowers, for example flag irises, to provide a touch of vibrant color.

Thus, Monet created a little world that resembled a clearance in the woods.

 He liked to feel blended with nature. Staring at the reflections of the sky into the pond, he could loose any notion of himself and merge into the waterscape.

Closing Day

by Ariane ~ November 1, 2010

Today was the last day of the season at Giverny.

At 6.00pm, the flags at the entrance gate were taken in for the last time of the year and the last visitor left.

 The shutters of Monet’s home will stay closed tomorrow, while the gardeners will start their rush before frost.

They have to store fragile plants in the greenhouses, and pull out all the flowers to clean the beds and start thinking of next spring. Fall and winter are a busy time for the gardeners!

Autumn

by Ariane ~ October 27, 2010

Autumn has just touched Monet’s garden with its magic.

The foliage change their greens or dark reds to bright tones. The weeping willows get gold, the poplars and the wisterias yellow, the needles of the taxodium rost, the liquidambars turn red and orange…

 The huge copper beech is not copper anymore, but a light brown, and all the leaves of the irises, thalias, hostas and other water side plants say goodbye to the season in a mixture of green, brown and yellow shades.

All these colors reflect into the pond in a stunning way. Each hour is different, from vaporous foggy mornings to bright sunny afternoons, and brings its own light on to the pond for the enjoyment of the last visitors of the season.

The village of Giverny

by Ariane ~ October 23, 2010

Giverny lies west of Paris, 80 km away from the city, in the Seine valley.

The river flows at the bottom of the hill on the background of the picture. It has carved deeply the tender chalk of the plateau, creating steep hills.

 The bottom of the valley is floodable, this is why the village was built at the foot of the hill. It stretches over three kilometers along a single street, now named after Claude Monet.

Only a small portion of Giverny can be seen on the photo. (click to enlarge)

 Right in the middle, you can see the big studio of Monet, recognizable thanks to the window panes on the roof. On its right, the long pink house with a slated roof is Monet’s home. And on the right of the house, the next building was Monet’s second studio (see the windows on the roof there too).

Behind these three buildings one can notice the garden. The trees on the pond side blend into the nature around, hardly noticeable by their more vibrant colors. And behind Monet’s gardens, fields show that there are good alluvial grounds here.

Nesting in its natural surroundings, Giverny is a rural village in the countryside, living on a slower pace than the big city of Paris. Being a nice day out is one of the assets of an excursion to the home of Claude Monet.

 

 

Monet Small Bridge

by Ariane ~ October 7, 2010

Two curved bridges face one another on both ends of Monet’s pond at Giverny.

The big one is covered with wisterias, whereas the small one doesn’t have any.

But a neighbouring wisteria can give the illusion that it is covering the little bridge too!

 Its golden color brightens all the greens around.

 

 

Summer Light

by Ariane ~ September 13, 2010

Summer is coming to an end, offering a large display of flowers in Claude Monet’s gardens at Giverny.
The flower beds that looked organised in early season are now full of overgrown plants, sunflowers, dahlias, cosmos…
 Under the clematis, smaller borders catch the morning light dancing on the freshly watered gauras.

Weeping Willow

by Ariane ~ August 18, 2010

Weeping willows were among Claude Monet’s favorite trees for many reasons, one of them being the translucent quality of their leaves.

On the side of his water lily pond at Giverny, Monet planted several willows.

Two of them still survive, although some branches start to become hollow.

But young willows planted thirty years ago, like the one on the picture, are now mature, as big as Monet could have seen them.

Weeping willows fascinate because of their vertical twigs that beautifully reflect into the pond.

Visitors will also see two other kinds of willows, the tortuous ones, very decorative, and the basket willows.

Generally pruned drastically to force the willow to produce new twigs every year, that will be cut to weave baskets, these willows like the river borders and are part of the traditional landscape of Normandy.

In Monet’s gardens, however, one of them was allowed to grow, and its branches pointed to the sky like a V make it resemble a person with the arms up. A very happy willow!

Time for Water Lilies

by Ariane ~ August 1, 2010

Water lilies are summer flowers.

 They like a warm water and a lot of sunshine.

In Monet’s garden at Giverny, the Nympheas that grace the pond are at their peak.

 Their crowns of pale petals reflect in the changing colors of the surface, creating harmonies that inspire the many painters visiting the gardens.

The Colors of June

by Ariane ~ July 4, 2010

In Monet’s garden at Giverny, the month of June is a feast of colors.

In the flower garden turned into a rose garden for a month, weeping roses as big as trees fall from their metallic structure in the shape of a mushroom.  

Their pink harmonizes with the blues and purples of the flowers below. A soft match that will last a few days only, before other eye cathing colors appear somewhere else.

A Taste of Heaven

by Ariane ~ June 3, 2010

Monet’s garden at Giverny is so beautiful at the turn of May and June that it has a taste of Paradise.

 In this season, spectacular flowers like irises, paeonies, wallflowers and roses bloom all at the same time.

The small walks of the garden disappear, leaving the illusion of a divine meadow adornated by the most exquisite flowers.

Not to speak about the delicate scent floating in the air…

Yellow Fields

by Ariane ~ May 22, 2010

Every year in May, the yellow fields scattered all around in the countryside of Normandy intrigue visitors.

– What are they? they keep asking, struck by the vibrant color. No other crop induces so many questions.

– Rapeseed fields, I answer, trying to speak as distinctly as possible.

When visitors of Giverny come from a region of the world where rapeseed is unknown, they frown. They don’t want to believe that this is the real name of the plant. I must be wrong. They ask me to repeat.

I explain all what is done with rapeseed, oil, the green gasoline we call diester, and food for the cattle. I would so much prefer to answer, well, it is mustard for the french fries, you know! I long for next month, when the rapeseed will be blown, and the flax in blossom.

– What are the pale blue fields? people will ask, and they will be only too happy to see where their linen come from.

Paulownia

by Ariane ~ May 20, 2010

The beautiful lavender blossom of the paulownia in Monet’s flower garden at Giverny harmonizes with the orange azaleas of the water garden, on the other side of the road.

The paulownia blooms exactly at the same time than the lavender wisterias gracing Monet’s Japanese footbridge.

Is it intended or not? What is a coincidence, and what is due to the choices of a clever gardener?

In Monet’s garden, I believe most of the meetings between plants aren’t accidental. Monet, as well as the present day head gardener, was very good at organising dates among the flowers.

Giverny: zone 8

by Ariane ~ May 7, 2010

American visitors to Giverny often ask to which agricultural zone Giverny belongs.  A puzzling question indeed, as these zones aren’t commonly used in France!

 Asking about the coldest temperature in Winter doesn’t help a lot, because the Frenchs count in Celsius, not in Farenheit.

I finally found the answer: Giverny is in zone 8.

During the coldest night of the last Winter, temperatures reached -13°C, that is to say 8°F. This is OK for many plants, trees and bushes, except the most fragile.

 Some flowers even need frost to understand that it is Winter, and then Spring. If tulips, for instance, don’t get all the cold they need, they will sulk and refuse to bloom the next Spring!

Sunrise on Giverny

by Ariane ~ May 1, 2010

Early in the morning, long before the first visitor arrives in Monet’s garden at Giverny, rays of orange sunshine stroke the Japanese bridge of the water garden, while a light mist raises from the pond.

 Monet, who was an early bird, loved to get up before sunrise, in order not to miss a second of the dramatic show of light and water.